Overview
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
The 400 Blows (1959) directed by François Truffaut ...
The 400 Blows is my first stint with this director's works and the elegant manner in which he has unfolded this story before our eyes is sheer poetry. Set in early 1950s Paris, the film is an expertly crafted character study of a young adolescent who's often misunderstood by his peers and, after being left with no attention,…
The 400 Blows | NetflixThe 400 Blows 1959 7+ 1h 35m Dramas After young Antoine runs away, life on the streets of Paris leads to nothing but trouble and guilt in director François Truffaut's feature debut.
The 400 Blows (1959)Directed by François Truffaut. With Jean-Pierre Léaud, Albert Rémy, Claire Maurier, Guy Decomble. A young boy, left without attention, delves into a life of petty crime.
FULLDownload Movie The 400 Blows One of the movie streaming industry’s largest impacts has been on the DVD industry, which effectively met its demise with the mass popularization of online content. The...
The 400 Blows subtitles | 115 subtitlesThe 400 Blows subtitles. AKA: The Four Hundred Blows, Чотириста ударiв, Les quatre cents coups, Los 400 golpes. Angel faces hell-bent for violence.. Intensely touching story of a misunderstood young adolescent who left without attention, delves into a life of petty crime.
The 400 Blows (Les Quatre cents coups) (1959)"The 400 Blows" marks the birth of legendary nouvelle vague character Antoine Doinel; his is the story of a 13-year-old wild child whose adventures were based on director Francois Truffaut's own ...
The 400 Blows movie review & film summary (1959) | Roger EbertThere is a lot of moviegoing in "The 400 Blows," with Antoine's solemn face turned up to the screen. We know that young Truffaut himself escaped to the movies whenever he could, and there is a shot here that he quotes later in his career. As Antoine and a friend emerge from a cinema, Antoine steals one of the lobby photos of a star.
