Overview
Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.
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Download F for Fake (1973) Torrent: Orson Welles’ free-form documentary about fakery focusses on the notorious art forger Elmyr de Hory and Elmyr’s biographer, Clifford Irving, who also wrote the celebrated fraudulent Howard Hughes autobiography, then touches on the reclusive Hughes and Welles’ own career (which started with a faked ...
F for Fake : Free Download, Borrow, and Streaming ...F for Fake Movies Preview ... F for Fake (French: Vérités et mensonges, "Truths and lies") is the last major film completed by Orson Welles, who directed, co-wrote, and starred in the film. Initially released in 1974, it focuses on Elmyr de Hory's recounting of his career as a professional art forger; de Hory's story serves as the backdrop ...
Amazon.com: Watch F for Fake | Prime VideoIn Orson Welles's free-form documentary F for Fake, the legendary filmmaker gleefully engages the central preoccupation of his career--the tenuous line between truth and illusion, art and lies. Welles embarks on a dizzying cinematic journey that simultaneously exposes and revels in fakery and fakers of all stripes--not the least of whom is Welles himself.
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F for Fake (1973)Directed by Orson Welles, Gary Graver, Oja Kodar. With Orson Welles, Oja Kodar, François Reichenbach, Elmyr de Hory. A documentary about fraud and fakery.
F for Fake (1974)F for Fake is both an entertaining and serious look at art without being pretentious or cynical. Orson Welles is great as the host, the cast is colorful, and the editing is superb.
F for Fake movie review & film summary (1973) | Roger EbertIn "F For Fake", Welles plays with the film more obviously, presiding over a ghostly editing room, running shots back and forth in the movieola as he invites us to take a closer look (pick a look, any look… ). It's all a bag of tricks, says the master magician Welles.
